Here's a new rendition of the visual data. Currently Daisy Morin, who helped with film editing on a student film I wrote and directed years ago, is helping to sync this to the task/brain imaging we saw in the last post. In this piece, I've created several movements that run through the data at different speeds. This is close to what I'll run with at the end; however, at present each data run-through uses the exact same notes/data. What I'll do for the final draft is make sure that each pass moves through different voxels in the cortex. For example, this hits 1,5,9,13. I'll make sure to hit each of the 14 points we have at least once, and keep them as spaced-apart as possible.